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He returns to his childhood and, using snapshots from the family album, constructs his personal mythology. Janos Kosa examines the coherent narratives of that feeling which remains in the wake of personally experienced history: nostalgia. Levente Szucss figures, which stand outside space and time, give the impression of last survivors before they too disappear in the final apocalypse that is ravaging the hastily finished, glazy landscape.

Contrary to many hypotheses, figurative painting has never truly disappeared; it has merely moved outside the focus of attention.